When we look into the clouds, we find dif­fe­rent shapes. Like in the sky, the shapes in the­se five films come ali­ve and keep chan­ging. Everybody sees some­thing dif­fe­rent in the shapes and not­hing stays the same for long. The pro­gram is accom­pa­nied by an acti­vi­ty unit.

A woman enters the stage and beg­ins to dance. As she does so, she fluid­ly swit­ches bet­ween dif­fe­rent shapes she forms by hol­ding the edges of her flowing dress in dif­fe­rent positions.

An expe­ri­men­tal ani­ma­ted film that does not tell a sto­ry in the clas­si­cal sen­se, but rather stages a move­ment of black ink on a white background.

Everyday mate­ri­als beco­me moving and mul­ti­form things that con­stant­ly trans­form them­sel­ves and at the same time the world around them.

A pie­ce of food in the beak of a bird beco­mes a human tra­ve­ling through the land­scapes of four important pain­tings from the histo­ry of art in China.

Things, peo­p­le, places and move­ments are all con­nec­ted: The ripp­le of sea­wa­ter resem­bles the move­ment of a winds­hield wiper, the run of a hurd­ler resem­bles the flight of birds.